against revelations

art

art for fun: photography; prints; sculpture

two black-and-white photographs of the same height arranged on a black background. the photograph on the left is of swirling blood that resembles a wild beast jumping over a log. the photograph on the right is of zoomed-in teeth that resemble lovers in embrace.

a cool-toned monochromatic painting of the tale of patacara

four photographs arranged on a black background. all four photographs are cool-toned and virtually absent of any human presence - there are hints of human settlement that nonetheless do not negate the feeling of desertedness that they evoke.

an Egon Schiele-inspired self-portrait with minimal color. the figure has neck-length hair and a dispirited expression on their face. they are wearing a pink blouse and shorts. their stance seems defensive.

$four edited pictures on a black background. the same Egon Schiele-inspired self-portrait edited to add distortions and refractions of light/color and flesh, an examination of puberty through the body horror-informed lens of human paranoia pitted against our own biological makeup for internal changes outside of one's control.$
2 photographs of the same width arranged on a black background. the top paragraph shows a busy city turnaround. the second paragraph shows a parking lot packed with cars. both photographs are cool-toned yet evoke feelings of claustrophobia through the sheer number of people (implicated or virtually present) alone.

2 photographs of the same width arranged on a black background. the top paragraph shows a busy city turnaround. the second paragraph shows a parking lot packed with cars. both photographs are cool-toned yet evoke feelings of claustrophobia through the sheer number of people (implicated or virtually present) alone.